提示词
创作一部 30 秒的电影感动画短片,主角是两位原创奇幻角色:一位年轻的女性道士战士,以及她那位体型巨大却不情不愿的巨人搭档。
视觉风格:高端西方动画电影、风格化写实、角色表现力丰富、电影感灯光、环境细节丰富、精致的 3D 动画、自然的物理效果、富有表现力的面部动画、喜剧节奏、动态电影感 camera movement。
整段视频中,角色设计必须完全一致。
Scene 1, 0-5s: 新目标
从宁静而富有氛围感的山景开始。
轻柔的山风吹过画面。camera slowly tilts downward,露出一顶大型编织竹斗笠的顶部 [from the reference image]
斗笠下,女孩的深色长发随风自然飘动。camera continues slowly downward,直到露出她的脸 [from the reference image]。
她看起来极其平静,又有点不耐烦。
她拿起电话,用随意、就事论事的语气说道:
"He's the new target? Got it."
她翻了个白眼。
细微的风声、远处的鸟鸣、轻柔的山间环境声,对白前保持电影感的静默。
Scene 2, 5-11s: 不情愿的搭档
Cut to a dramatic wide shot。
女道士站在一座巨大山崖的边缘 [from the reference image]。辽阔的群山、薄雾和云层一直延伸至远方。
她身后,那个体型巨大、皮肤呈蓝灰色石质的巨人 [from the reference image] 正蹲在地上休息。他庞大的身躯高耸于整片景观之上。
她漫不经心地转向他,说道:
"Time to work."
巨人缓缓抬头,神情疲惫不堪。
他看起来非常恼火。
"I haven't rested enough yet!"
他的声音低沉有力,但神情应该更像一个精疲力竭、抱怨加班的同事,而不是愤怒的怪物。
道士完全不为所动。
Scene 3, 11-23s: 汽车争执
Cut to the Taoist walking confidently toward 一辆停在附近、坚固耐用的复古敞篷车 [from the reference image]。
她坐进驾驶座,发动引擎,随口说道:
"Come on, come on. Let's go."
巨人站在车后,难以置信地看着这辆小车。
他抱怨道:
"Why do YOU get to drive while I have to run again?"
道士毫不同情地回头看他。
"Then build a car big enough for you."
她立刻转回前方,开车离去。
巨人僵在原地片刻。
车辆消失在山路尽头,留下一小团尾气和尘土,直接飘到他的脸上。
他带着恼怒的表情,慢慢擦去脸上的灰尘。
喜剧节奏、夸张的面部动画,但肢体动作要符合真实物理规律。
Scene 4, 23-30s: 公路之旅
Cut to 一条美丽且富有电影感的山间公路。
道士驾驶着小巧的敞篷车,穿行于蜿蜒道路。
在她身后很远处,那个皮肤如石头般的巨人正追着汽车奔跑。
他巨大的脚步震落了路面上的细小尘土。
camera pulls progressively wider,展现两者荒诞的体型差异。
道士悠闲地开在前方,完全放松。
巨人在后面奔跑,显得精疲力竭,还在不停抱怨。
以 wide cinematic shot 收尾,呈现小车与巨大的巨人一同穿越辽阔山地景观。
最终应传达这样的感觉:两个完全不搭的伙伴,却不知为何配合得天衣无缝。
Camera language:缓慢而富有氛围感的开场、戏剧性的揭示、中段快速的喜剧 cuts、结尾充满活力的 tracking shot。
声音设计:山风、细微鸟鸣、脚步声、引擎点火声、砂砾与轮胎声、巨人的脚步声、尘土声、自然环境声。对白应清晰,并与嘴唇动作准确同步。
不要出现超级英雄相关元素、现有受版权保护的角色、绿色超级英雄外观、logo 或文字叠加。
#Seedance25 #HIXAI原文提示词(English)
Create a 30-second cinematic animated short featuring two original fantasy characters: a young female Taoist warrior and her gigantic reluctant giant partner.
Visual style: high-end Western animated feature film, stylized realism, expressive characters, cinematic lighting, detailed environments, polished 3D animation, natural physics, expressive facial animation, comedic timing, dynamic cinematic camera movement.
Keep the character designs completely consistent throughout the entire video.
Scene 1, 0-5s: The New Target
Begin with a quiet atmospheric mountain landscape.
A gentle mountain breeze passes through the frame. The camera slowly tilts downward, revealing the top of a large woven bamboo conical hat [from the reference image]
The girl's long dark hair moves naturally in the wind beneath the hat. The camera continues slowly downward until her face [from the reference image] is revealed.
She looks completely calm and slightly annoyed.
She picks up the phone and says in a casual, matter-of-fact voice:
"He's the new target? Got it."
She rolls her eyes.
Subtle wind, distant birds, soft mountain ambience, cinematic silence before the dialogue.
Scene 2, 5-11s: The Reluctant Partner
Cut to a dramatic wide shot.
The female Taoist stands on the edge of a huge mountain cliff [from the reference image]. Vast mountains, mist and clouds stretch into the distance.
Behind her, the gigantic blue-gray stone-skinned giant [from the reference image] is crouching on the ground, taking a rest. His enormous body towers over the landscape.
She casually turns toward him and says:
"Time to work."
The giant slowly raises his head with an exhausted expression.
He looks deeply annoyed.
"I haven't rested enough yet!"
His voice is deep and powerful, but his expression should feel more like an exhausted coworker complaining about overtime than an angry monster.
The Taoist remains completely unfazed.
Scene 3, 11-23s: The Car Argument
Cut to the Taoist walking confidently toward a rugged vintage open-top convertible [from the reference image] parked nearby.
She gets into the driver's seat, starts the engine and casually says:
"Come on, come on. Let's go."
The giant stands behind the vehicle, looking at the tiny car with disbelief.
He complains:
"Why do YOU get to drive while I have to run again?"
The Taoist looks back at him without sympathy.
"Then build a car big enough for you."
She immediately turns forward and drives away.
The giant stands frozen for a beat.
The vehicle disappears down the mountain road, leaving a small cloud of exhaust and dust drifting directly into his face.
He slowly wipes the dust from his face with an irritated expression.
Comedic timing, exaggerated facial animation, but grounded physical movement.
Scene 4, 23-30s: The Road Trip
Cut to a beautiful cinematic mountain highway.
The Taoist drives the tiny open-top convertible through the winding road.
Far behind her, the gigantic stone-skinned giant is running after the car.
His enormous footsteps shake small pieces of dust from the road.
The camera pulls progressively wider, revealing the absurd scale difference between them.
The Taoist casually drives ahead, completely relaxed.
The giant runs behind her, visibly exhausted and still complaining.
End on a wide cinematic shot of the tiny car and enormous giant traveling together through the vast mountain landscape.
The final feeling should be: two completely mismatched partners who somehow work perfectly together.
Camera language: slow atmospheric opening, dramatic reveal, fast comedic cuts in the middle, energetic tracking shot at the end.
Sound design: mountain wind, subtle birds, footsteps, engine ignition, gravel and tire sounds, giant footsteps, dust, natural environmental ambience. Dialogue should be crisp and clearly synchronized with lip movement.
No superhero references, no existing copyrighted characters, no green superhero appearance, no logos, no text overlays.
#Seedance25 #HIXAI建议模型
Seedance / Veo
视频地址
https://media.goodcase.ai/media/video/seharshinwari-seedance-ai-ce8e8937181f.mp4